Private Asynchronous Studio
I offer detailed compositional feedback for a small number of composers and creative musicians. This work is primarily asynchronous, which allows me to listen deeply and give you detailed, actionable guidance.
Currently recruiting mentees in 2026. See below for options for single-work reviews and ongoing mentoring.
my credentials
- PhD in Music Composition, University of Florida
- MA in Sonic Arts, Queen’s University Belfast
- University-level teaching at Southern Methodist University, Art Institute of Dallas, East Carolina University, and University of Florida
- Extensive experience teaching private composition, theory, audio production, and piano
Levels of Engagement
Single Work Review
Focused Feedback for Developing Composers
Ideal for: high school composers, early undergraduates, and performers beginning to write their own work.
Think of this as an asynchronous composition lessons.
After you purchase and send me files (score, audio), I will return the following within 7 days:
- 10–15 minute video critique
- Written summary with 2–3 clear revision priorities
- Marked-up score (when applicable)
Listening Focus: Clarity of idea · Basic structure · Idiomatic writing · Notation
$95 per submission
Ongoing Studio
For composers seeking long-term artistic development
Ideal for those preparing: Graduate applications, Festival and competition submissions
This is structured, ongoing mentorship through asynchronous feedback.
Includes (per month):
- Up to 3 submissions (depending on scope)
- 20 minute video critique per piece
- One live 45-minute coaching/strategy session
- Detailed score markup
- Structural + aesthetic consultation
- Career feedback as needed (CV, website, and other materials)
Listening Focus: Voice · Cohesion across works · Professional presentation · Artistic positioning
$325/month
Limited availability.
Have questions?
studio philosophy
My approach is rooted in experiential learning. I believe that you grow by making things, trying ideas, and reflecting on what you enjoy.
There’s no “right” way to compose—there’s only the way that fits your voice. My job is to help you discover that voice and develop it confidently.
