\version "2.16.2"

\pointAndClickOff

\header {
  title = \markup \italic \fontsize #6 "Object" 
  subtitle = \markup \fontsize #1 "for small orchestra" 
 % instrument = \markup \sans "transposed score"
   composer =  "ADAM SCOTT NEAL"
  copyright = "Copyright © 2014 Adam Scott Neal"
  tagline = " "
}

\paper {
  #(set-paper-size "legal")
  raggedright = ##t
  indent = 20\mm
  paper-width = 8.5\in
  left-margin = 1\in
  right-margin = 1\in
  line-width = 6.5\in
  top-margin = 0.75\in
  bottom-margin = 0.75\in
  ragged-last-bottom = ##f
  %first-page-number = 2
%markup-system-spacing #'basic-distance = #18
	%top-markup-spacing #'basic-distance = #6
 top-system-spacing #'minimum-distance = #12 
top-system-spacing #'basic-distance = #12 
last-bottom-spacing  #'minimum-distance = #10
last-bottom-spacing  #'basic-distance = #10

  oddHeaderMarkup = \markup \fill-line {
    " "
    \on-the-fly #not-first-page "NEAL | OBJECT"
    \on-the-fly #not-first-page \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string
  }
  evenHeaderMarkup = \markup \fill-line {
    \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string
    \on-the-fly #not-first-page "NEAL | OBJECT"
    " "
  }
  
}

global = {
   #(set-global-staff-size 18)
  \key c \major
  \time 4/4
  \tempo  "Stately" 4=66
  \numericTimeSignature
  \set Score.markFormatter = #format-mark-box-barnumbers
  \override Score.BarNumber #'break-visibility = #'#(#f #t #t)
\override Score.BarNumber #'self-alignment-X = #CENTER
  \override Hairpin #'to-barline = ##f
}

flute = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 r2 des2~\pp\< des4 des\mp aes2~\> aes8\pp r r4 r2 R1 c16--\mf bes8.~ bes2.~ bes8 r r4 r2
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #1
  R1*5
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #2
  des'8\f( c,)\< aes'2.~ aes2~ aes8 ees-- f'[-- c--] f2.->~\ff f8 r 
  R1*6 r2. r4\fermata \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #3
  
  R1*11
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \mark #4
  R1*3
  f,2\mp\< f8( ges4.) f4\mf\>( ges) f4.( ges8\p) R1*4
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #5
  R1 r2. f'4--~\mf f2~\< f8 f4.--~ f2 f--~\f\> f4. f8--~ f2~ f8\mf r r4 r2 R1 R1
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #6
  R1 c4\ff( aes') aes( g) R1 R1 r2 des8-- c4.~ c2~ c8 r r4 c,2\f( des'~ des) f,( aes1~\> aes8)\pp r r4 r2 R1 R1
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #7
  R1 R1 r4 dis4~\mp( dis8 b4.~ b2 dis2 b~ b8) r r4 R1
  R1*3
  f'2--~\mf f8 e4.--~( e4 f~ f4.) e8--~( e2 f)
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #8
  \tempo  "a tempo"
  R1*3 \times 2/3 {g,4\mp\<( e') b( } d2~\mf\> d1~ d8\p) r r4 r2 r4 r8 f,8~\pp f2~ f1~ f8 r r4 r2 
  
  R1*3
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \mark #9
  R1*6 r2. d4--~\mp\< d8 r d4--~ d8 r g4--~\f g2~ g8 r r4
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #10
  
  R1*6 
  R1*4 r4 e'8--\f dis~ dis2~ dis~ dis8 r r4 R1
  R1 r2 ges,2\mp\<( ees1 bes2\mf\> ees~ 
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #11
  ees2~ ees8\p) r r4 R1*5
  R1 r2. fis4~\p fis2~ fis8 r r4 r2 fis2~\mp fis4~ fis8 r8 r2 r4 fis2.~\mf fis8 r r4 r2 R1
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #12
  R1*6 
  \tempo  "rit." R1 R1 \bar "||"
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
  \mark #13
  
  \time 4/4 \tempo  "Majestic" 4=60
  
  e'16--\f fis8.~ fis2.~ fis4 f16--\> d8.~ d4. d8--~ d d4--\mf\< d8--~ d d4-- d8--~\f d r r4 r2 r4. c,8--~\mf\< c c4-- c8--~ c c4-- c8--~ c2
  \once \override Score.BarNumber #'break-visibility = #'#(#f #f #t)
  \mark #14
  des'8\f( c,) aes'2.~ aes2~ aes8 ees-- f'--[ c--] \time 3/4 f8->\< r f-> r f-> r \time 3/8 f4.-- 
  \time 4/4 f,1\ff\> g~ g2 f~ f2. ees4~ ees1~ ees2. d4~\mf d1~ d1\fermata 
  
  \bar "|."
  
}

oboe = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  des1~\p\< des1~\mp\> des8\pp r r4 r2 R1*3 g,16--\mf f8.~ f4~ f4~ f8 r 
  \mark #1
  R1*3 r4 ges2.~\mf ges8 r r4 r2
  \mark #2
  f1~\f\< f2. aes4 aes2.->~\ff aes8 r
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
 
  \mark #3
  
  a2\p\< r a r a r a r a\mp\>( a a a a a\p) 
  R1*4
  \mark #4
  R1*3 
   f'2\mf\> f8( ges4.) f4( ges) f4.( ges8) f2( ges) f8( ges4.) f2\p des4.\p\<( des8~ des4 des~\mp\> des8 des4. des4. des8\p)
  \mark #5
  r2 r4. f8--~\mf\< f2. f4--~\f f2~\> f8\mf r r4 R1 r4. f8--~\mf\< f2~ f4 f2.--~\f\> f8 f4.--~\mf f8 r r4 R1
  \mark #6
  R1 c4\ff( aes') aes( g) R1 R1 r2 des8-- c4.~ c2~ c8 r r4 c2\f( des'2~ des) f,( aes1~\> aes8)\pp r r4 r2 R1 R1
  \mark #7
  R1*6
  R1*3
  r8 b,\mp( g4) r8 b( g4) r8 b( g4) r8 b( g4)  r8 b( g4) r8 b( g4) 
  \tempo  "rit."
  e'4.\mf( dis8~ dis4) \acciaccatura f8 e4~( e8 dis4.\>) e( dis8~ dis4~ dis2.\p)\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1 r2. r8 g8~\pp g1~ g1~ g1~ g8 r r4 r2 R1*6
  \mark #9
  R1*6 r4 f,4--~\mp\< f8 r f4--~ f8 r f4--~ f8 r d'4--~\f d2~ d8 r r4
  
  \mark #10
  
  R1 r4. c,8~\mp\<( c4 c~ c8 c4. c4.\mf\> c8~ c4 c4~ c8 c4.\p) R1 R1
  R1*4 r4 e'8--\f dis~ dis2~ dis2~ dis8 r r4 R1
  R1*4
  \mark #11
  R1 R1 r2 d,2--~\mf\> d8 d4.--~ d4 d4--~ d4. d8--~ d2 d2--~\p d8 d4.-- 
  f2 r R1*7
  \mark #12
  R1*6
  \tempo  "rit." R1 R1
  \bar "||"
  
  \mark #13
  
   \time 4/4 \tempo  "Majestic" 4=60
   
  d'1~\f d4 d16--\> bes8.~ bes4. bes8--~ bes8 bes4--\mf\< bes8--~ bes bes4-- bes8--~\f bes r r4 r2 r4. bes8--~\mf\< bes bes4-- bes8--~ bes bes4-- bes8--~ bes2
  f2.~\f f8 f->~ f2. f4-- \time 3/4 f8->\< r f-> r f-> r \time 3/8 f4.--
  \time 4/4 f1\ff\> f~ f2 f~ f2. g4~ g2 g~ g2. a4~ a~ a16 bes8.~\mf bes2~ bes1\fermata
  
  \bar "|."
  
}

clarinet = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  \transposition bes
  % Music follows here.
  bes1~\p\< bes~\mp\> bes8\pp r r4 r2 r2 r4 f4~\ppp f2\< f16--\mf e8.~ e4~ e1~\> e8\p r r4 r2
  \mark #1
  R1*3 r4 aes2.~\mf aes8 r r4 r2
  \mark #2
  ees'8\f\<( d,) bes'2.~ bes2~ bes8 f-- g'[-- d--] d2.->~\ff d8 r
  R1*6 r2. r4\fermata \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  R1 R1 b2\p r b r r4. ais8~\mp( ais4 ais~ ais8 ais4. ais4. ais8~ ais4 ais~ ais8 ais4.) 
  R1*4
  \mark #4
  R1*3
  R1 r2 r4. aes'8\mf( g2)\> aes g8( aes4.) g2\p r2. d4\mp~-- d2 d--
  \mark #5
  R1*3 r8 fis4.--~\f\> fis4 fis--~ fis4. fis8--~\mf fis2 R1*3
  \mark #6
  R1*4 d,4\ff( bes') ees8-- d4.~ d2~ d8 r r4 d,2\f( ees'~ ees) g,( bes1~\> bes8)\pp r r4 r2 R1 R1
  \mark #7
  R1 R1 r4 f~\mf( f8 des4.~ des2 f des~ des8) r r4 R1
  R1*3
  r8 cis''\mp( a4) r8 cis( a4) r8 cis( a4) r8 cis( a4) r8 cis( a4) r8 cis( a4) 
  \tempo  "rit."
  fis,2.\mf( cis'4~ cis2\> ais~ ais4) ais2.\p\fermata 
  
  \mark #8
  \tempo  "a tempo"
  R1*4 r2 a'2~\pp a1~ a2~ a8 r r4 r2 r4. a,,8~\mp( a2\< e'~ e8 a,4.~\mf\> a2~ a1~ a8\mp) r r4 r2
  \mark #9
  R1*5 r2. cis4--~\mp\< cis8 r cis4--~ cis8 r cis4--~ cis8 r cis4--~ cis8 r cis4--~\f cis2~ cis8 r r4
  
  \mark #10
  
  R1*6
  R1*3 r2 cis4\mf( gis') R1 R1
  R1 R1 r2 aes4~\mp aes8 r R1 r2 aes4~ aes8 r
  \mark #11
  R1 R1 r2 e'2--~\mf e8\> e4.--~ e4 e--~ e4. e8--~ e2 e2--~\p e8 e4.-- 
  R1*8
  \mark #12
  R1*6
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
  b1\f c4 c16--\> g8.~ g4. g8--~ g g4--\mf\< g8--~ g g4-- g8--~\f g r r4 r2 r4. aes8--~\mf\< aes aes4-- aes8--~ aes aes4-- aes8--~ aes2
  \mark #14
  c1\f bes2. bes4-- \time 3/4 bes8->\< r bes-> r bes-> r \time 3/8 bes4.--
  \time 4/4 d1\ff\> e c2 c~ c1~ c2 c~ c2. e4~ e2 d2~\mf d1\fermata
  
  \bar "|."
  
  
}

bassoon = \relative c {
  \global
  \compressFullBarRests
    \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 r4 bes2.~\mp bes8 r r4 r4 \times 2/3 {r8 c,\mf( aes')} bes,8 f'~ f2.~\> f8\ppp r r4 r2 R1 R1
  \mark #1
  d2.->\f d4-> f1~->\> f4~ f8\mp r \times 2/3 { r2 bes'4~->\<} bes1~ bes2.~\f bes8 r 
  \mark #2
  f2.~\f\< f8 f->~ f2. f4-- aes2.->~\ff aes8 r 
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 fis4\mf-> d8 a d2->~ d1~\> d8\pp r r4 r2
  R1 R1 r2 b'2\p r b\mp\<
  \mark #4
  a1~\mf\> a~ a8\pp r r4 r2
  R1*6
  \mark #5
  R1 R1 r4 c,2.->\mf\< c2.-> c4->~\f c2\> c2->~ c4\mf r r2 R1 R1
  \mark #6
  R1 R1 \times 2/3 { aes'4--\ff g'-- c,-- } ees2~-- ees8 r r4 r2 R1*6 c,4\f( aes') aes8-- g4.~ g2 aes8-- g4.
  \mark #7
  aes1~--\> aes8\ppp r r4 r2 R1*4
  R1*3
  g2\mf\<( c~ c g~\f\> g c
  \tempo  "rit."
  e2.\mf) e,4~ e2\> e2~ e4 e2.\p\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*4 r2 b8\mf g4.~ g1~ g8 r r4 r2 R1*5
  \mark #9
  R1*5 r4 g4--~\mp\< g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~\f g2~ g8 r r4
  
  \mark #10
  
  b'2\mp\<( b b b b\mf\> b b b\p) R1 R1
  R1*3 b,4\mf( fis') b( fis') R1*3 
  r2 ees,4~\mp ees8 r R1 r2 ges4~\mf ges8 r R1
  \mark #11
  R1 R1 d'4->\f b8 fis~ fis2~ fis1~ fis8\mp r r4 r2 R1
  f'2\mp\< r f r f r f r f1\mf\> f1 f1 f2~ f8\mp r r4
  \mark #12
  R1*6
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
  d,,2.->\f d4-> f1->\> f8->\mf\< r f-> r f-> r f->\f r \times 2/3 { r2 bes'4~->\> } bes2~ bes4. ees8--~\mf\< ees ees4-- ees8--~ ees ees4-- ees8--~ ees2
  \mark #14
  f,2.~\f f8 f->~ f2. f4-- \time 3/4 des8->\< r des-> r des-> r \time 3/8 des4.--
  \time 4/4 c1\ff\> d~ d2 bes( f') f16-- g8.~ g4~ g2 g16-- g8.~ g4~ g2. a4~ a g16-- f8.~\mf f2~ f1\fermata
  
  \bar "|."
  
}

hornFI = \relative c {
  \global
  \compressFullBarRests
    \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  \transposition f
  % Music follows here.
  R1*3 r2 \times 2/3 {c'8\mf( c') ees,} bes'4--~ bes2~\> bes8\p r r4 R1 R1
  \mark #1
  e1\f f4 f16-- c8.~ c2~\> c4~ c8\mp r \times 2/3 { r4 bes2~->\< } bes1~ bes2.\f~ bes8 r
  \mark #2
  aes1\< g2. g4-- aes2.->~\ff aes8 r 
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 r4. dis8\mp~\stopped( dis4\stopped dis~\stopped dis8\stopped dis4.\stopped dis4.\stopped dis8~\stopped dis4\stopped dis4~\stopped dis8~\stopped dis4.\stopped)
  R1*3 cis2\p\<\open fis,2 
  \mark #4
  a1~\mf\> a1~ a8\pp r r4 r2
  R1 c,2\mf\stopped ees'2\stopped R1 c,2\stopped ees'2\stopped R1 ees8--\stopped c4.\stopped~ c4\stopped~ c8\stopped r8
  \mark #5
  b2--~\<\open b8 b4.--~ b4 b4--~\f b4.\> b8--~ b2 b2--~\mf b8 r r4 r2 R1 b2--~\mf\< b8 b4.--~\f\> b4 b4--~\mf b8 r r4 R1
  \mark #6
  R1 R1 \times 2/3 { ees,4--\ff d'-- g,-- } bes2--~ bes8 r r4 r4 ees,4( g ees') r2 R1 g,2\ff( aes'~ aes) c,( ees1~\> ees8)\pp r r4 r2 R1 R1
  \mark #7
  r4. e,8~\p\<( e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4. e4.\mf\> e8~ e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4.\p)
  R1*3
   d2\mp\<( g~ g d\mf\>~ d g 
  \tempo  "rit."
  b\mp~ b8) r r4 r2 b,2~\p b4 b2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1 R1 cis'1\pp\stopped~ cis1\stopped~ cis1\stopped~ cis1\stopped~ cis8\stopped r r4 r4. f8~\open f1~ f1~ f1 r2 ges8--\mp f4.~ f2~ f8 r r4
  \mark #9
  R1 R1 c1\pp\stopped~ c~\stopped c2~\stopped c8\stopped r r4 R1 R1 r2 r4 c4--~\f\open c2~ c8 r r4 
  
  \mark #10
  
  R1*4 d2\p\<( d d\mp\> d\p) 
  R1*3 r2 fis,4\mf( cis') R1*3
  R1 fis,4~\mp fis8 r f4~ f8 r R1 R1
  \mark #11
  R1 R1 a4->\f fis8 cis fis2->~ fis1~\> fis8\mp r r4 r2 R1
  R1*8
  \mark #12
  R1*6 
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
   e'1\f f4 f16-- c8.~\> c4. c8--~ c c4--\mf\< c8--~ c c4--\f r8 \times 2/3 { r4 bes2~->\> } bes2~ bes4. bes8--~\mf\< bes bes4-- bes8--~ bes bes4-- bes8--~ bes2
   \mark #4
   aes1\f g2. g4-- \time 3/4 ees8->\< r ees-> r ees-> r \time 3/8 ees4.-- 
   \time 4/4 ees1\ff\> f~ f2 f~ f2. f4~ f2 f4 g~ g2. e4~ e d16-- f8.~\mf f2~ f1\fermata
   
   \bar "|."
   
}

hornFII = \relative c' {
  \global
  \compressFullBarRests
   \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  \transposition f
  % Music follows here.
  R1*7
  \mark #1
  e2.\f-> e4-> c1~->\> c4~ c8\mp r \times 2/3 { r2 f4~->\<} f1~ f2.~\f f8 r 
  \mark #2
  f1\< ees2. ees4-- ees2.->~\ff ees8 r
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 cis'4\mf-> a8 e a2->~\> a1~ a8\pp r r4 r2 
  R1*3 r2 fis2\mp\< 
  \mark#4 
  e1~\mf\> e~ e8\pp r r4 r2
  R1 c2\mf\stopped r2 R1 c2\stopped r2 R1 ees8--\stopped c4.\stopped~ c4\stopped~ c8\stopped r8
  \mark #5
  e!4.--\<\open e8--~ e4 e--~\f\> e8 e4.-- e-- e8--~\mf e4 r r2 R1 r2 r4. e8--~\mf\< e4 e--~ e8 e4.--\f\> e-- e8--~\mf e r r4 R1 
  \mark #6
  R1 R1 \times 2/3 { ees4--\ff d'-- g,-- } bes2--~ bes8 r r4 r4 ees,4( g ees') r2 R1*7
  \mark #7
  dis,2\p\<( dis dis dis dis dis dis\mf\> dis dis dis dis )dis\p b1\mf b1 b1
  d2\mp\<( g~ g d\mf\>~ d g 
  \tempo  "rit."
  b\mp~ b8) r r4 r2 b,2~\p b4 b2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*9 r4. a'8~\pp a2~ a1~ a2~ a8 r r4
  \mark #9
  R1*7 r4 fis4--~\f fis8 r fis4--~ fis2~ fis8 r r4 
  
  \mark #10
  
  R1*6
  R1*3 r2 fis4\mf( cis') R1*3
  R1 R1 r2 bes,4~\mf bes8 r R1 
  \mark #11
  R1 R1 a'4->\f fis8 cis~ cis2~ cis1~\> cis8\mp r r4 r2 R1
  R1*8
  \mark #12
  R1*6 
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
   e2.\f-> e4-> c1->\> c8->\mf\< r c-> r c-> r c->\f r \times 2/3 { r2 f4~->\> } f2~ f4 f8->\mf r f->\< r f-> r f-> r f-> f->~ f2 
   \mark #14
   f1\f ees2. ees4-- \time 3/4 ees8->\< r ees-> r ees-> r \time 3/8 ees4.-- 
   \time 4/4 ees1\ff\> f~ f2 f~ f2. f4~ f2 f4 g~ g2. e4~ e d16-- f8.~\mf f2~ f1\fermata
   
   \bar "|."
   
}

trumpetC = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1*7
  \mark #1
  e16--\f fis8.~ fis2.~ fis4 f16 d8.~ d2~\> d4~ d8\mp r r2 des2.->\mp\< des16--\f c8.~ c2.~ c8 r
  \mark #2
  bes1\< aes2. c4-- c2.->~\ff c8 r 
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1 R1 r2 a2\p\<^\markup { "st. mute" } r a( a a\mp\> a a a a\p)
  R1*4 
  \mark #4
  R1*3 R1*4 R1 R1
  \mark #5
  R1 R1 r2 e2--~\mf\<^\markup "st. mute" e8 e4.--~ e4 e--~\f e4.\> e8--~ e2 e2--~\mf e8 r r4 R1 R1 
  \mark #6
  R1 c4\f(^\markup "open" aes') aes( g) R1 R1 r2 aes2~\mf aes1~ aes8 r r4 r2 R1*3 c,4\f( aes') aes8-- g4.~ g2 aes8-- g4.
  \mark #7
  R1*6
  R1*3 
  R1*3 
  \tempo  "rit."
  R1 R1 r4 e2.\p\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*3 \times 2/3 { g4\mp\<( e') b( } d2~\mf\> d1~ d8\p) r r4 r2 R1*3
  r4. d,8~\pp^\markup { "st. mute"} d2~ d1~ d2~ d8 r r4
  \mark #9
  r2 d'2\pp~ d1~ d1~ d1~ d2~ d8 r r4 R1 R1 r4 d4--\f~^\markup { "open" } d8 r g4--~ g2~ g8 r r4
  
  \mark #10
  
  R1*3 r2. r8 aes,8~\p\<( aes2 aes~ aes8 aes4.~\mp\> aes4 aes\p)
  R1*4 r4 e'8\f dis~ dis2~ dis~ dis8 r r4 R1
  R1 R1 b,4\mf~ b8 r bes4~ bes8 r R1
  \mark #11
  R1*6
  r2 r4. fis''8~\p fis2. r4 r2 r8 fis4.~\mp fis2 r2 r4. fis8~\mf fis2~ fis8 r r4 r2 r8 fis4.~\mp fis2 R1
  \mark #12
  R1*6 
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
  e16--\f fis8.~ fis2.~ fis4 f16-- d8.~\> d4. d8--~ d d4--\mf\< d8--~ d d4-- d8--~\f d8 r r4 des2->\> des16-- c8.~ c8 c--~\mf\< c c4-- c8--~ c c4-- c8--~ c2
  \mark #14
  bes1\f aes2. c4-- \time 3/4 c8->\< r c-> r c-> r \time 3/8 c4.--
  \time 4/4 f,1\ff\> f~ f2 f~ f2. g4~ g2 g~ g2. f4~\mf f1~ f1\fermata 
  
  \bar "|."
  
}

trombone = \relative c {
  \override Staff.BarLine #'hair-thickness = #0.25
  \override MultiMeasureRest #'expand-limit = #2
  \compressFullBarRests
  \global
  % Music follows here.
  R1*7
  \mark #1
  d2.->\f d4-> bes1~->\> bes4~ bes8\mp r ges'2~->\mp\< ges1~ ges4 des16--\f c8.~ c4~ c8 r
  \mark #2
  bes2.~\< bes8 c->~ c2. c4-- des2.->~\ff des8 r 
  R1*6 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 fis4\mf-> d8 a d2->~ d1~\> d8\pp r r4 r2 R1*4
  \mark #4
  d1~\mf\> d~ d8\pp r8 r4 r2 
  R1*4 R1 aes'8--\mf^\markup "st. mute" f4.~ f4~ f8 r
  \mark #5
  a!4.--\< a8--~ a4 a\f\>--~ a8 a4.-- a4.-- a8--~\mf a4\< a--~ a8 a4.-- a a8--~ a4 a--~\f a8\> a4.-- a-- a8--~\mf a4 r r2 R1 R1
  \mark #6
  
  
  R1 R1 \times 2/3 {aes,4--\ff^\markup "open" g'-- c,-- } ees2--~ ees8 r r4 aes,4( aes') r2 c2~\mf c1~ c8 r r4 r2 R1*3 c,4\f( aes') aes8-- g4.~ g2 aes8-- g4.
  \mark #7
  aes2--\>( aes aes2\p aes aes2 aes aes2 aes aes2 aes aes2 aes) R1*3
  R1*3 
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  r2 fis'2\pp~^\markup { "st. mute" } fis1~ fis1~ fis8 r r4 r2 R1*6 g,1~ g2~ g8 r r4
  \mark #9
  R1 r2 bes2~ bes1~ bes~ bes2~ bes8 r r4 R1 R1 r4 g,4--\mf\<~^\markup { "open" } g8 r g4--~\f g2~ g8 r r4
  
  \mark #10
  
  R1*6
  R1*3 b4\mf( fis') b( fis') R1*3
  b,4\p~ b8 r bes4~ bes8 r R1 R1 b!4~\mp b8 r bes4~ bes8 r 
  \mark #11
  R1 R1 d,4->\f b8 fis b2->~ b1~\> b8\mp r r4 r2 R1
  r2 f''\mp\< r f r f r f~ f f~\mf\> f f~ f f~ f~ f8\mp r r4
  \mark #12
  R1*6 
  \tempo  "rit." R1 R1 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
   d,2.\f-> d4-> bes1->\> bes8->\mf\< r bes-> r bes-> r bes-> r ges'1~\f->\> ges4 ges8->\mf\< r ges-> r ges-> r ges-> r des-> c->~ c2
   \mark #14
   bes2.~\f bes8 c->~ c2. c4-- \time 3/4 des8->\< r des-> r des-> r \time 3/8 des4.-- 
   \time 4/4 f,1\ff\> g1~ g2 bes( f') f16-- ees8.~ ees4~ ees2 ees16-- c8.~ c4~ c2. d4~ d c16-- bes8.~\mf bes2~ bes1
   
   \bar "|."
}

tubularBells = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25

  % Music follows here.
   %\override StaffSymbol #'line-count = #1
  R1 r4 bes2.\mp\laissezVibrer^\markup { "chimes"} R1 r8 f8~ f2.\laissezVibrer R1*3
  \mark #1 
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  d1\f^\markup {"sus. cymbal, soft mallets"} d1\laissezVibrer R1 R1 d1:32~\mp\<
  \mark #2
  d1:32~ d1:32~ d1\ff\laissezVibrer 
  R1*5
  \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble 
  r2. a'4\p\laissezVibrer^\markup {"Glock" } r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*7
  cis2\p\<^\markup { "Glock"} cis4 d cis8 d4. cis4. d8 cis4\mp\> d cis8 d4. cis4. d8 cis4\p d
  \mark #4
  R1*3
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  d,1:32\pp\<~^\markup { "sus. cymbal, soft mallets" } d1:32~ d1:32~\p\> d1:32~ d1\pp\laissezVibrer R1
  \mark #5
   \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble 
   r2 r4 r8 f\mp\<~^\markup { "Glock" } f2. f4~ f2 r8 f4.~ f2 f2~\mf\> f4. f8~ f2~ f4 f2.\mp\laissezVibrer R1 R1 
  \mark #6
  aes1\f\laissezVibrer^\markup {"chimes"} 
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  r2 b,4\f^\markup { "snare (rim)" } r b r b r b r b r b r r2
  \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble 
  f'1\f\laissezVibrer^\markup { "chimes" } 
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  r2 b,4\f^\markup { "snare (rim)" } r b r b r b r b r b r b r b r b r b r b r
  \mark #7
  b\> r b r b r b\p r b r b r b r b r b r b r b r b r
  R1*6
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble 
  r2 fis'2\p\laissezVibrer^\markup { "Glock" } r2 r4. g8~ g1 \times 2/3 { g4 e' b } d2\laissezVibrer R1 R1
  r4. f,8\p~^\markup { "chimes" } f4. bes8~ bes1\laissezVibrer R1 R1 r2 r8 bes4.\laissezVibrer R1
  \mark #9
  R1*6 
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  r4 b,4:32\p\<~^\markup { "snare" } b8 r b4:32~ b8 r b4:32~ b8 r b4:32~\mf b2:32~ b8 r r4
  
  \mark #10
  
  R1*6
  R1*7
  R1*4
  \mark #11
  R1*6
  R1 R1 \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble 
  f''4\mp^\markup { "Glock" } d8 a d2\laissezVibrer R1*5
  \mark #12
  R1*3 
  \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \clef percussion 
  r4 b,4:32\mp\<~^\markup { "snare" } b8 r b4:32~ b8 r b4:32~ b8 r b4:32~\mf b8 r b2.:32~\pp\< 
  \tempo  "rit." b1:32~ b1:32 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   d2.\f^\markup { "sus. cymbal (w/snare sticks)" } d4 d1\laissezVibrer r8 b8:64->\mf\<~^\markup { "snare" } b[ b8:64->~] b[ b8:64->~] b[ b8:64->~] b\f r r4 r2 r4. b8:64->~\mf\< b[ b8:64->~] b[ b8:64->~] b[ b8:64->~] b[ b8:64->~] b2:64
   d2\f\laissezVibrer r4. b8:64~ b1:32 \time 3/4 b4->\< b-> b-> \time 3/4 b4.:32
   \time 4/4 d1\ff\laissezVibrer R1*5 
   \stopStaff \revert Staff . StaffSymbol #'line-count \startStaff \clef treble r2 bes'2\mf\laissezVibrer^\markup { "chimes" } R1\fermata
   
   \bar "|."
   
}

timpani = \relative c {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 \times 2/3 { r4 bes8:64~\p } bes2.:32~ bes2.:32~ bes8 r bes8\mp f8:64~ f2.:32~\> f8\ppp r r4 r2 R1 r2 bes2:32\fp\<
  \mark #1
  d2.:32->\f d4-> f,1:32~->\> f4:32~ f8\mp r r2 R1 R1
  \mark #2 bes4\f r r2 R1 R1 f4 r r2 R1 r2 bes4 r f r f r R1 R1 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 r2 d'2:32~\mp\> d1:32~ d8\pp r r4 r2 R1*4
  \mark #4
  d1:32~\mf\> d1:32~ d8\pp r r4 r2 R1*6
  \mark #5
  f,2.->\mf\< f4->~ f2 f2->~ f4 f2.-> f2.-> f4->~\f f2\> f2->~ f4 f2.-> f2.->\mf r4 R1 
  \mark #6
  aes4->\ff^\markup { "dampen"} r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r 
  f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r 
  \mark #7
  aes\> r aes r  aes r aes\p r  aes r aes r  aes r aes r  aes r aes r  aes r aes r 
  R1*6
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*12
  \mark #9 
  R1*9
  
  \mark #10
  
  R1*6
  R1*7
  R1*4
  
  \mark #11
  R1*6
  R1*3 r2 d4\mf f, f8 d'4. r2 R1 f,8 d'4.:32~\> d2:32~ d2:32~ d8\mp r r4
  \mark #12
  R1*6
  \tempo  "rit." R1 bes1:32\mp\< \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   d2.\f-> d4-> f,1:32->\> f4->\mf\< f-> f-> f->\f R1*3
   \mark #14
   bes2.:32\f r4 R1 \time 3/4 aes4->\< aes-> aes-> \time 3/8 aes4.:32
   \time 4/4 f1:32\ff R1 r2 bes2\f f f R1 r2. d'4\mf r2 bes2:32~ bes1:32\fermata 
   
   \bar "|."
}



violinI = \relative c' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 R1 r8 f\mf des'[( c,]) aes'2~ aes1~\> aes2~ aes8\pp r r4 r2. bes4~\ppp\< bes1
  \mark #1
  e16--\f fis8.~ fis2.~ fis4 <d f>16--^\markup {"div."} <bes d>8.~ <bes d>2~\> <bes d>4~ <bes d>8\mp r r2 R1 R1
  \mark #2
  <des des'>8\f\<^\markup { "div."}( <c, c'>) <aes' aes'>2.~ <aes aes'>2~ <aes aes'>8 <ees ees'>-- <f' f'>[-- <c c'>]-- <f f'>2.->~\ff <f f'>8 <f, f'>(
  <g' g'>2) <aes, aes'>~( <aes aes'>4 <bes bes'>2.) \times 2/3 { <g g'>4( <ees' ees'>) <a, a'>~( } <a a'>4 <bes bes'>~ 
  <bes bes'>1)\> \times 2/3 { <d, d'>4( <bes' bes'>4) <ees, ees'>4( } <g g'>2) bes'2--^\markup { "unis." } bes16--\mp a8.~ a4~ a2~ a8 r r4\fermata \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*7
  cis,4\p\<^\markup { "pizz." } r cis d cis8 d r4 cis4. d8 cis4\mp\> d cis8 d r4 cis4. d8 cis4\p d 
  \mark #4
  R1 <f, f'>4\mp^\markup { "div."} r <d d'> r R1 f'1\p~^\markup { "unis., arco, sul tasto" } f~ f~ f f~\pp f
  \mark #5
  r2 r4 r8 <f f'>8--~\f^\markup { "ord., div." } <f f'>2.\> <f f'>4--~ <f f'>2~ <f f'>8 <f f'>4.--~\mf\< <f f'>2 <f f'>2--~ <f f'>4. <f f'>8--~\f <f f'>2~ <f f'>4 <f f'>2.--~ <f f'>8 <f f'>4.--~ <f f'>8 r r4 
  <c c'>4.\ff( <aes' aes'>8~ <aes aes'>8) r r4
  \mark #6 
  <aes aes'>8-- <g g'>4.~ <g g'>8 <aes aes'>4.--~ <aes aes'>4 <g g'>4--~ <g g'>4. <aes aes'>8--~ <aes aes'>2 <g g'>2--~ <g g'>8 <aes aes'>4.--~\> <aes aes'>4 <g g'>4--~ <g g'>4. <aes aes'>8--~ <aes aes'>2
  <c, c'>2.--\f <c c'>8 <des des'>--~ <des des'>2 <c c'>4 <des des'>--~ <des des'> <c c'>~ <c c'>8 <des des'>4.-- <c c'>2-- <des des'>4 <c c'>--~ <c c'>4. <des des'>8 <c c'>2--~ <c c'>4 <des des'>2.~\> <des des'>8 <c c'>4.--~ <c c'>2\mf~
  \mark #7
  <c c'>8 r r4 r2 R1*5
  f4.\mf\>^\markup {"unis."}( e8~ e4) f~( f8 e4.) f4.\mp\<( e8~ e4) f~( f8 e4.)
  <f f'>2--~\mf^\markup { "div." } <f f'>8 <e e'>4.--~( <e e'>4 <f f'>~ <f f'>4.) <e e'>8--~( <e e'>2 <f f'>) 
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*4 d'1\pp\flageolet~^\markup { "unis." } d\flageolet~ d2\flageolet~ d8\flageolet r r4 f,1\p~^\markup { "sul tasto" } f~ f~ f~ f2~ f8 r r4
  \mark #9
  R1*3 a2.\mp\<^\markup { "ord." } g4~ g1~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~\f g2~ g8 r r4
  
  \mark #10
  
  R1*3 r2 r4. aes,8--\p\<(~^\markup { "sul pont." } aes2 aes--~ aes8 aes4.--~\mp\> aes4 aes--\p)
  e4.\p\<^\markup { "ord." } e8~ e4 e~ e8 e4. e e8~ e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4. e e8~ e4 b'2.~ b2.~\f b8 r
  R1*4
  \mark #11
  <ees ees'>4.\mp\<^\markup { "div." } <ees ees'>8~ <ees ees'>4 <ees ees'>~ <ees ees'>8 <ees ees'>4. <ees ees'> <ees ees'>8~ <ees ees'>4 <ees ees'>~ <ees ees'>8 <ees ees'>4.\f\> <ees ees'> <ees ees'>8~ <ees ees'>4 <ees ees'>~ <ees ees'>8 <ees ees'>4. <ees ees'> <ees ees'>8~ <ees ees'>4 <ees ees'>~\mp <ees ees'>8 r4.
  R1 R1 f'8\f^\markup { "unis." } r d8( a) d2~ d1~ d8 r r4 r2 R1*3
  \mark #12
  R1 r2. cis,4~\mp cis8 r cis4~\< cis8 r cis4~ cis8 r fis4~ fis8 r fis4~ fis8 r fis4~ fis8 r fis4~\f fis8 r cis2.:32~\p\< 
  \tempo  "rit." cis1:32~ cis1:32 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
   e16--\f fis8.~ fis2.~ fis4 f16-- d8.~\> d4. d8--~ d <d bes'>4--\mf\<^\markup { "div." } <d bes'>8--~ <d bes'>8 <d bes'>4-- <d bes'>8--~\f <d bes'>8 r r4 r2 r4. <ees c'>8--~\mf\< <ees c'> <ees c'>4-- <ees c'>8--~ <ees c'> <ees c'>4-- <ees c'>8--~ <ees c'>2
   \mark #14
   <des des'>8\f( <c, c'>) <aes' aes'>2.~ <aes aes'>2~ <aes aes'>8 <ees ees'>-- <f' f'>[-- <c c'>]-- \time 3/4 <f f'>8->\< r <f f'>8-> r <f f'>8-> r \time 3/8 <f f'>4.--(
   \time 4/4 <g g'>2\ff\>) <aes, aes'>~( <aes aes'>4 <bes bes'>2.) \times 2/3 { <g g'>4( <ees' ees'>) <a, a'>~( } <a a'>4 <bes bes'>~ 
  <bes bes'>1) \times 2/3 { <d, d'>4( <bes' bes'>4) <ees, ees'>4( } <g g'>2) <bes bes'>2-- <bes bes'>16-- <a a'>8.~\mf <a a'>4~ <a a'>2~ <c a'>2~ <c a' a'>1\fermata_\markup { "a 3" } 
  
  \bar "|."
}

violinII = \relative c'' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  r4 <aes des>2.~\pp\<^\markup { "div." } <aes des>1~\mp <aes des>2 <des, f>2~ <des f>8 <c f>~ <c f>2.~\> <c f>2~ <c f>8\ppp r r4 R1 g'16--\mp^\markup { "unis." } f8.~ f4~ f4~ f8 r
  \mark #1
  <a d>1\f^\markup { "div." } <bes d>4 <bes d>16-- <f bes>8.~ <f bes>2~\> <f bes>4~ <f bes>8\mp r r2 <des des'>4\p^\markup { "pizz., div." } r r <des des'> R1
  \mark #2
  <f des'>1\f\<^\markup { "arco, div." } <f c'>1 <f c'>2.->~\ff <f c'>8 r <f c'>1 <f d'>1~ <f d'>1~ <f d'>2.\> <g d'>4~ <g d'>2 <bes ees>2~ <bes ees>2~ <bes ees>8\p r r4 r2. r4\fermata 
  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*7
  r2 b,\p\<^\markup { "unis." } r g' r g8--\mf\> fis4.~ fis2~ fis8\p r4. 
  \mark #4
  r2 r8 bes4.~\mp\> bes4 bes~ bes4. bes8~ bes2 bes
  c1~\p^\markup { "sul tasto" } c~ c~ c aes~\pp aes
  \mark #5
  <e e'>2--~\f\>^\markup { "ord., div." } <e e'>8 <e e'>4.--~ <e e'>4 <e e'>4--~ <e e'>4. <e e'>8--~ <e e'>2-- <e e'>2~ <e e'>8 <e e'>4.--~\mf\< <e e'>4 <e e'>4--~ <e e'>4. <e e'>8--~ <e e'>2 <e e'>2--~\f <e e'>8 <e e'>4.--~ <e e'>4 <e e'>4--~ <e e'>8 r r4 R1 
  \mark #6
  <c' ees>4.->\ff <c ees>8->~ <c ees>4 <c ees>->~ <c ees>8 <c ees>4.-> <c ees>-> <c ees>8->~ <c ees>4 <c ees>->~ <c ees>8 <c ees>4.-> <c ees>4.-> <c ees>8->~ <c ees>4 <c ees>->~\> <c ees>8 <c ees>4.-> <c ees>-> r8
  <f, aes>2--~\f <f aes>8 <f aes>4.--~ <f aes>4 <f aes>--~ <f aes>4. <f aes>8--~ <f aes>2 <f aes>--~ <f aes>8 <f aes>4.~ <f aes>4 <f aes>~ <f aes>4. <f aes>8~ <f aes>2 <f aes>~\> <f aes>8 <f aes>4.~ <f aes>4 <f aes>~\mf <f aes>8 r r4
  \mark #7
  r4. <a, a'>8\p\<^\markup { "pizz." } r4 <a a'>4 r8 <a a'> r4 <a a'> r8 <a a'> r4 <a a'> r8 <a a'>\mp\> r4 <a a'> r8 <a a'> r4 <a a'> r8 <a a'> r4 <a a'> r8 <a a'> r4 <a a'> r8 <a a'>\p r4
  R1*3 r8 <b' b'>\mp^\markup { "arco" }( <g g'>4) r8 <b b'>8( <g g'>4) r8 <b b'>8( <g g'>4) r8 <b b'>8( <g g'>4) r8 <b b'>8( <g g'>4) r8 <b b'>8( <g g'>4) 
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo" 
  R1 R1 r2 g'2\pp\flageolet~^\markup { "unis." } g1\flageolet~ g1\flageolet~ g1\flageolet~ g2\flageolet~ g8\flageolet r r4 r2 bes,\p~^\markup { \whiteout "sul tasto" } bes1~ bes~ bes~ bes2~ bes8 r r4
  \mark #9
  R1*4 r2. d4--\mp~^\markup { "ord." } d8\< r d4--~ d8 r d4--~ d8 r d4--~ d8 r d4--~ d8 r d4--~ d8 r d4--~\f d2~ d8 r r4
  
  \mark #10
 
  R1*4 g,2--\p\<(^\markup { "sul pont." } g-- g--\mp\> g--) r dis\p\<^\markup { "ord." } dis dis dis dis dis dis dis dis dis dis dis\f dis4~ dis8 r 
  R1*4
  \mark #11
  r2 r8 <d d'>4.~\mp\<^\markup { "div." } <d d'>4 <d d'>~ <d d'>4. <d d'>8~ <d d'>2 <d d'>~\f <d d'>8\> <d d'>4.~ <d d'>4 <d d'>~ <d d'>4. <d d'>8~ <d d'>2\mp <d d'>2~ <d d'>8 <d d'>4. 
  R1*8
  \mark #12
  R1 r2. fis4--~\mp fis8 r fis4--~\< fis8 r ais4--~ ais8 r ais4--~ ais8 r ais4--~ ais8 r ais4--~ ais8 r ais4--~\f ais8 r ais2.:32--~\p\< 
  \tempo  "rit." ais1:32~ ais1:32 \bar "||"
  
  \mark #13
  \time 4/4 \tempo  "Majestic" 4=60
  
  <a! d>1\f^\markup { "div." } <bes d>4 <bes d>16--\> <f bes>8.~ <f bes>4. <f bes>8--~ <f bes>8 <f bes>4--\mf\< <f bes>8--~ <f bes> <f bes>4-- <f bes>8--~\f <f bes> r r4 r2 r4. <bes ges'>8--~\mf\< <bes ges'> <bes ges'>4-- <bes ges'>8--~ <bes ges'> <bes ges'>4-- <bes ges'>8--~ <bes ges'>2
  \mark #14
  <f des'>1\f <f c'>2. <f c'>4-- \time 3/4 <f c'>8->\< r <f c'>8-> r <f c'>8-> r \time 3/8 <f c'>4.--
  \time 4/4 <f c'>1\ff\> <f d'>1~ <f d'>1~ <f d'>2. <g d'>4~ <g d'>2 <bes ees> <g ees'>2. <f d'>4~\mf <f d'>2 <d d'>2~ <d d'>1\fermata 
  
  \bar "|."
  
}

viola = \relative c' {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 \times 2/3 { c,8\mf f4~ } f2.~\> f1~\mp f8 aes~ aes2.~\> aes2~ aes8\ppp r r4 r4 d2.~\ppp\< d2.~\mp d8 r
  \mark #1
  d,2.->\f d4-> f1->~\> f4~ f8 r \times 2/3 { ges4\p^\markup { "pizz" } ees' bes } R1 R1
  \mark #2
  bes1\f\<^\markup { "arco" } aes1 aes2.->~\ff aes8 r 
  aes1 g~ g2 f~ f2. g4~\> g2 bes g2. d'4~\mp d2~ d8 r r4\fermata \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
   R1*4 fis4\mp-> d8 a d2->~ d1~\> d8\pp r r4 r2 r2 b\pp\< r b r b r b'
  \mark #4
  a4.\mp\> a8~ a4 a~ a8 a4. a4. a8~ a4 a4~ a8 a4.
  aes1~\p^\markup { "sul tasto" } aes~ aes~ aes des,~\pp des
  \mark #5
  a4.\f--\>^\markup { "ord." } a8--~ a4 a--~ a8 a4.-- a4.-- a8--~ a4 a4--~ a8 a4.-- a4.-- a8--~\mf\< a4 a--~ a8 a4.-- a4.-- a8--~ a4 a4--~\f a8 a4.-- a4.-- a8--~ a8 r r4 R1 
  \mark #6
  <c ees>4.->\ff^\markup { "div." } <c ees>8->~ <c ees>4 <c ees>->~ <c ees>8 <c ees>4.-> <c ees>-> <c ees>8->~ <c ees>4 <c ees>->~ <c ees>8 <c ees>4.->  <c ees>4.-> <c ees>8->~ <c ees>4 <c ees>->~\> <c ees>8 <c ees>4.-> <c ees>-> r8
  <f, aes>2--~\f <f aes>8 <f aes>4.--~ <f aes>4 <f aes>--~ <f aes>4. <f aes>8--~ <f aes>2 <f aes>--~ <f aes>8 <f aes>4.~ <f aes>4 <f aes>~ <f aes>4. <f aes>8~ <f aes>2 <f aes>~\> <f aes>8 <f aes>4.~ <f aes>4 <f aes>~\mf <f aes>8 r r4
  \mark #7
  <aes aes'>4\p\<^\markup { "pizz." } r <aes aes'>4 r <aes aes'>4 r <aes aes'>4 r <aes aes'>4 r <aes aes'>4 r <aes aes'>4\mp\> r <aes aes'>4 r <aes aes'>4 r <aes aes'>4 r <aes aes'>4 r <aes aes'>4\p r 
  R1*3 g2\mf\<( c~ c g~\f\> g c 
  \tempo  "rit."
  e2\mf~ e8) r r4 R1 r4 r2.\fermata
  
  \mark #8 
  \tempo  "a tempo"
  R1*6 r4. f8~^\markup { "pizz."} f8 r4 bes,8~ bes8 r r2. R1 d1\p~^\markup { \whiteout "arco, sul tasto" } d~ d2~ d8 r r4
  \mark #9
  R1*4 r2. f4--\mp~^\markup { "ord." } f8\< r f4--~ f8 r f4--~ f8 r f4--~ f8 r f4--~ f8 r f4--~ f8 r f4--~\f f2~ f8 r r4
  
  \mark #10
  
  R1 r4. c8--\p\<(~^\markup { "sul pont." } c4 c--~ c8 c4.-- c--\mp\> c8--~ c4 c--~ c8 c4.--\p) R1 R1
  e4.\p\<^\markup { "ord." } e8~ e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4. e4. e8~ e4 e~ e8 e4. e\f e8~ e4 e8 r 
  R1 r2 ees,4~\mp ees8 r R1 R1
  \mark #11
  R1 R1 r2 fis2~->\f fis1~\> fis~ fis8\p r r4 r2
  R1*3 r2 d4\mf( f'8) r f8-- d4.~ d2~ d8 r r4 r2 R1 R1
  \mark #12
  R1 r2. cis4--~\mp cis8 r cis4--~\< cis8 r cis4--~ cis8 r cis4--~ cis8 r cis4--~ cis8 r cis4--~ cis8 r cis4--~\f cis8 r e2.:32--~\p\< 
  \tempo  "rit." e1:32~ e1:32 \bar "||"
  
  \mark #13
  \time 4/4 \tempo  "Majestic" 4=60
  
  d,2.->\f d4-> f1->\> f8->\mf\< r f-> r f-> r f->\f r R1 r4 bes8->\mf\< r bes-> r bes-> r bes-> r bes-> bes->~ bes2
  \mark #14
  bes1\f aes2. aes4-- \time 3/4 aes8->\< r aes-> r aes-> r \time 3/8 aes4.-- 
  \time 4/4 aes1\ff\> g1~ g2 f2~ f2. g4~ g2 bes g2. f4~\mf f1~ f1\fermata
  
  \bar "|."
  
}

cello = \relative c {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 \times 2/3 { c8\mf( f bes,) } aes'2.~\> aes1\mp bes,8\mf f~ f2.~\> f2~ f8\ppp r r4 r4 f\mf( aes') aes16-- g8.~ g2.~ g8 r
  \mark #1
  a,2.->\f a4-> bes1~->\> bes4~ bes8\mp r r2 R1 r4 des16--\mf c8.~ c4~ c8 r 
  \mark #2
  bes2.~\f\< bes8 c->~ c1 des2.->~\ff des8 r f,1 g~ g2 bes( f') f16-- ees8.~ ees4~\> ees2 ees16-- c8.~ c4~ c2~ c8\p r r4 r2. r4\fermata  \bar "||"
  
  \time 2/2 \tempo  "Nimble" 2=80
  
  \mark #3
  
  R1*4 fis4\mf-> d8 a d2->~ d1~\> d8\pp r r4 r2 R1*4
  \mark #4
  d1~\mp\> d~ d8\pp r r4 r2
  c'1~\p^\markup { "sul tasto" } c~ c~ c R1 R1
  \mark #5
  <f,, c'>2.\f->\>^\markup { "ord., div." }  <f c'>4->~  <f c'>2  <f c'>2->~  <f c'>4  <f c'>2.->  <f c'>2.-> <f c'>4->~\mf  <f c'>2\<  <f c'>2->~  <f c'>4  <f c'>2.->  <f c'>2~->\f <f c'>8 r r4 R1 
  \mark #6
  r2 r4. aes'8->~\ff^\markup { \whiteout "unis." } aes4. aes8->~ aes4. aes8->~ aes4. aes8->~ aes4. aes8->~ aes4. aes8->~ aes4. aes8->~ aes4. aes8->~ aes4. aes8->(
  f4) r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f->\> r f-> r f-> r f->\f r 
  \mark #7
  R1*6 b2~\mf\<( b8 g'4.~ g4) b,~( b4. g'8\f~ g2\>) b,2\mf c,4 r c r c r c r c r c r 
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1 <fis, b\harmonic>1~\pp <fis b\harmonic>1~ <fis b\harmonic>1~ <fis b\harmonic>1~ <fis b\harmonic>8 r r4 r2 R1 R1 R1 r2 g'~\p^\markup { \whiteout "sul tasto" } g1~ g2~ g8 r r4
  \mark #9
  R1*4 r2. b4--\mp~^\markup { "ord." } b8\< r b4--~ b8 r b4--~ b8 r b4--~ b8 r b4--~ b8 r b4--~ b8 r b4--~\f b2~ b8 r r4
  
  \mark #10
  
  b2--\p\<(^\markup { "sul pont." } b-- b-- b-- b--\mp\> b-- b-- b--\p) R1 R1
  r2 dis2\p\<^\markup { "ord." } dis dis dis dis dis dis4-> fis,->~ fis1~ fis1~ fis2.\f~ fis8 r
  r2 ges4~\p ges8 r R1 R1 r2 ees4~\mp ees8 r 
  \mark #11
  R1 R1 d4->\f b8 fis b2->~ b1~\> b1~ b8\p r r4 r2
  R1*3 r2 d,4\mf( f'8) r f8-- d4.~ d2~ d8 r r4 r2 f8-- d4.~ d2~ d2~ d8 r r4
  \mark #12
  fis,4.\<( g'8~ g8) r r4 g8-- fis4. fis4--\f r fis-- r fis-- r fis-- r fis-- r fis-- r fis-- r fis-- r fis2:32--~\p\< 
  \tempo  "rit." fis1:32~ fis1:32 \bar "||"
  
  \mark #13
   \time 4/4 \tempo  "Majestic" 4=60
   
   a,2.\f-> a4-> bes1->\> bes8->\mf\< r bes-> r bes-> r bes->\f r R1 r4 ges'8->\mf\< r ges-> r ges-> r ges-> r des-> c->~ c2
   \mark #14
   bes2.~\f bes8 c~-> c2. c4-- \time 3/4 des8->\< r des-> r des-> r \time 3/8 des4.--
   \time 4/4 f,1\ff\> g~ g2 bes( f') f16-- ees8.~ ees4~ ees2 ees16-- c8.~ c4~ c2. d4~ d c16-- bes8.~\mf bes2~ bes1\fermata
   
   \bar "|."
  
}

contrabass = \relative c {
  \global
  \compressFullBarRests
  \override MultiMeasureRest #'expand-limit = #2
  \override Staff.BarLine #'hair-thickness = #0.25
  % Music follows here.
  R1 \times 2/3 { r4 bes'8~\mp } bes2.~ bes2.~  \times 2/3 { bes8 c,(\mf aes') } bes,8 f'~ f2.~\> f2~ f8\ppp r r4 R1  R1
  \mark #1
  d2.->\f d4-> f1~->\> f4~ f8\mp r r2 R1 R1
  \mark #2
  bes,2.~\f\< bes8 c~-> c1 des2.->~\ff des8 r f,1 g~ g2 bes( f') f16-- ees8.~ ees4~\> ees2 ees16-- c8.~ c4~ c2~ c8\p r r4 r2. r4\fermata  \bar "||"
  
  \time 2/2 
  
  \mark #3
  
  R1*11
  \mark #4
  d1~\mp\> d~ d8\pp r r4 r2 f'1~\p^\markup { "sul tasto" } f~ f~ f R1 R1
  \mark #5
  f,,2.\f->\>^\markup { "ord." } f4->~ f2 f2->~ f4 f2.-> f2.-> f4->~\mf f2\< f2->~ f4 f2.-> f2~->\f f8 r r4 R1 
  \mark #6
  aes4->\ff r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r aes-> r 
  f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f-> r f->\> r f-> r f-> r f->\f r 
  \mark #7
  R1*6
  e''1\mf e e c4 r c r c r c r c r c r 
  \tempo  "rit."
  R1 R1 r4 r2.\fermata
  
  \mark #8
  \tempo  "a tempo"
  R1*11 
 
  R1*5 r4 g4--~\mp\< g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~ g8 r g4--~\f g2~ g8 r r4
  
  \mark #10
  
  R1*6
  R1 R1 r4 b2.~\mp\< b1~ b~ b~ b2.\f~ b8 r
  R1*4
  \mark #11
  R1 R1 d,4->\f b8 fis b2->~ b1~\> b~ b8\p r r4 r2
  R1*6 f'8--\mf d4.~ d2~ d2~ d8 r r4
  \mark #12
  fis,4.\<( g'8~ g8) r r4 g8-- fis4. fis4--\f r fis-- r fis-- r fis-- r fis-- r fis-- r fis-- r fis-- r fis2:32--~\p\< 
  \tempo  "rit." fis1:32~ fis1:32 \bar "||"
  
  \mark #13
   \time 4/4 
   \tempo  "Majestic" 4=60
    d2.->\f d4-> f1->\> f8->\mf\< r f-> r f-> r f->\f r R1 r4 ges8->\mf\< r ges-> r ges-> r ges-> r des-> c->~ c2
   \mark #14
   bes2.~\f bes8 c~-> c2. c4-- \time 3/4 des8->\< r des-> r des-> r \time 3/8 des4.--
   \time 4/4 f,1\ff\> g~ g2 bes( f') f16-- ees8.~ ees4~ ees2 ees16-- c8.~ c4~ c2. d4~ d c16-- bes8.~\mf bes2~ bes1\fermata
   
}

flutePart = \new Staff \with {
  instrumentName = "Flute"
  shortInstrumentName = "Fl."
  midiInstrument = "flute"
} \flute
  
oboePart = \new Staff \with {
  instrumentName = "Oboe"
  shortInstrumentName = "Ob."
  midiInstrument = "oboe"
} \oboe

clarinetPart = \new Staff \with {
  instrumentName = "Clarinet"
  shortInstrumentName = "Cl."
  midiInstrument = "clarinet"
} \clarinet

bassoonPart = \new Staff \with {
  instrumentName = "Bassoon"
  shortInstrumentName = "Bn."
  midiInstrument = "bassoon"
} { \clef bass \bassoon }

hornFIPart = \new Staff \with {
  instrumentName = "Horn in F"
  shortInstrumentName = "Hn.F."
  midiInstrument = "french horn"
} \hornFI

hornFIIPart = \new Staff \with {
  instrumentName = "Horn in F II"
  shortInstrumentName = "Hn.F. II"
  midiInstrument = "french horn"
} \hornFII

trumpetCPart = \new Staff \with {
  instrumentName = "Trumpet in C"
  shortInstrumentName = "Tr.C."
  midiInstrument = "trumpet"
} \trumpetC

trombonePart = \new Staff \with {
  instrumentName = "Trombone"
  shortInstrumentName = "Trb."
  midiInstrument = "trombone"
} { \clef bass \trombone }

tubularBellsPart = \new Staff \with {
   % \override StaffSymbol #'line-count = #5
  instrumentName = "Percussion"
  shortInstrumentName = "Perc."
  midiInstrument = "tubular bells"
} \tubularBells

timpaniPart = \new Staff \with {
  instrumentName = "Timpani"
  shortInstrumentName = "Tmp."
  midiInstrument = "timpani"
} { \clef bass \timpani }

violinIPart = \new Staff \with {
  instrumentName = "Violin I"
  shortInstrumentName = "Vl. I"
  midiInstrument = "violin"
} \violinI

violinIIPart = \new Staff \with {
  instrumentName = "Violin II"
  shortInstrumentName = "Vl. II"
  midiInstrument = "violin"
} \violinII

violaPart = \new Staff \with {
  instrumentName = "Viola"
  shortInstrumentName = "Vla."
  midiInstrument = "viola"
} { \clef alto \viola }

celloPart = \new Staff \with {
  instrumentName = "Cello"
  shortInstrumentName = "Vc."
  midiInstrument = "cello"
} { \clef bass \cello }

contrabassPart = \new Staff \with {
  instrumentName = "Contrabass"
  shortInstrumentName = "Cb."
  midiInstrument = "contrabass"
} { \clef bass \contrabass }

\score {
  
  <<
    \new StaffGroup <<
    \flutePart
    \oboePart
    \clarinetPart
    \bassoonPart 
    >>
    \new StaffGroup <<
    \hornFIPart
   % \hornFIIPart
    \trumpetCPart
    \trombonePart
    >>
    \tubularBellsPart
    \timpaniPart
    \new StaffGroup <<
    \violinIPart
    \violinIIPart
    \violaPart
    \celloPart
    \contrabassPart 
    >>
  >>
  \layout {
  \context {
  \Score 
  \override MetronomeMark #'font-size = #3 } }
  \midi {
    \context {
      \Score
      tempoWholesPerMinute = #(ly:make-moment 66 4)
    }
  }
}